Richmond Native Emily Skinner Talks Cher, Raging Queens, Christopher Walken’s Pickle, And Being A Hyper Kid

Richmond native Emily Skinner is the epitome of Broadway’s leading lady.

Over her 26 years in the biz, she has played leading roles in such Broadway productions as Prince of Broadway, Jekyll & Hyde, James Joyce’s The Dead, The Full Monty, Dinner at Eight, and Billy Elliot.

Skinner’s role as one half of a pair of Siamese twins in Side Show earned her critical acclaim and a Tony Award nomination shared with co-star Alice Ripley

She recorded an excellent self-titled solo album, which was released in 2001, and she has sung with orchestras around the world.

This winter, she will appear in The Cher Show as Georgia Holt, Cher’s mother, in the Broadway run at the Neil Simon Theatre which begins previews November 1.

This Saturday night, she comes to Hampton Roads as the headliner at the Hampton Arts 31st Anniversary Gala, an invitation extended by Richard Parison, artistic director and a friend since their days in Richmond together.

It’s amazing to look back over your career how much you’ve been involved in. Just the last two years alone is impressive. When do you sleep?

It’s good to be busy and have diverse projects. I really love my career, and I’ve worked hard to get here.

What can we expect from your concert this week at the Hampton Arts Gala?

I think pretty much everything. Everything I’m going to sing is from Broadway. I like variety, so I try to mix up the program with a wide range of classic stuff and contemporary stuff. I’ve got everything in there: Sondheim, Rodgers and Hammerstein. I even have some Mae West.

You have bounced back and forth from Broadway musical to Cabaret to stage actress and recording artist. What jazzes you the most?

That’s so hard! I really like it all. When I sing a lot, there’s a part of me that says, “Gosh, I wish I was doing a play.” And when I’m doing a play, I want to do a musical. It’s good to go back and forth and hit everything. I sort of feel like when I’m performing a musical or cabaret, it tends to be a little more a giving to the audience. Versus when I’m doing legit acting, it feels a little more internal.

Do you have any new recordings in the works?

The Cher Show cast album will be out at the beginning of the year, that’s the big one.

Speaking of the Cher Show, wow, Georgia Holt. What an iconic role to play.

She’s an interesting mother.

How did you prepare to play her?

I was asked to audition for the show, and I didn’t really know anything about Cher’s mom. So I Googled her and watched lots of footage of Cher and her mom online, including the documentary that Cher did about her. I have this weird thing when I’m asked to go on auditions. I have to be able to visualize myself playing the role, or I don’t bother. And as soon as I started to watch Georgia, I thought, yeah, I know who she is. I can do this.

They put my audition on tape for Cher so she could have final approval on casting. She caretakes her mother in such a beautiful way, so I was incredibly honored when I got the part. I knew Cher sat there in her Malibu home, watched the tape and picked me.

I read that after the pre-Broadway run in Chicago, Cher said she loved it, but in typical Cher fashion, said it needed a little work.

And she’s right. And that’s why we love her. She’s such a straight shooter, uncensored. No pretense, no bullshit.

And now you’re taking that role to Broadway this autumn.

Yes, we start rehearsals right after the Gala on October 1, and then it’s out there.

I was intrigued in your participation in the AIDS themed Elegies for Angels, Punks, and Raging Queensback in the day. How did you get involved in that?

Oh my gosh, this is such a weird story. I had first heard the song My Brother Lived in San Franciscoyears ago when I was in college. And I thought it was a beautiful song. When I auditioned for Sideshow, I actually used that song. At the end of my audition, there were a bunch of people in the room, and a guy stood up from the table and said, “I wrote that song.” And it was Bill Russell, who wrote the music for Elegies and for Side Show.

I was so lucky to be in that production, and I’ve been in different versions of it over the last 15 years. It’s such a moving and beautiful show. The monologues that make it up are knockout, and the songs are gorgeous. I’m so happy it keeps getting done.

You were in the original cast of Prince of Broadway, which debuted in Tokyo. Is there any difference between American theater audiences and Japanese audiences?

Well, you know, I will say in Asia they love American musical theater. They’re wild for it. So our audiences were crazy for that show. There’s really very little book in that show. It’s literally back-to-back 11 o’clock numbers from Harold Princes’ shows. And most of the shows, Phantom and West Side Story, they’re in our musical consciousness internationally. Everyone knows them. I think in the future they’re going to continue to play that show internationally because it did do well in Asia.

I was looking at the impressive roster of your leading male co-stars over the years. Who are some your favorites?

Oh, that is so hard! I did a show with Chris Walken years ago, and he is a riot. He’s so on his own special planet. He was wildly kind and entertaining to work with. He was always trying to keep things fresh, and he always had things in his pockets. Sometimes he would pull out peanuts, shell them, then throw them at me. Or he’d take out a pickle and start eating it. So he was a lot of fun.

So you and Alice (Ripley): you two are so fantastic in everything you do. How in your mind has that relationship evolved over the years?

We sort of yin and yang each other. We’re wacky. It’s funny, they say we become more of who we are innately as we age, and that’s definitely true of Alice and myself. We’re both super busy with our own projects, but we do get together on some concert stuff occasionally. We have a new show coming up in January.

You also have your own show, and I get this affinity from you for the classic Broadway musicals of the last century.

I grew up with a mother who loved classic Broadway, and she had a cast album collection. So I grew up listening to that. That’s always where my first love is. That’s when people really knew how to craft, you know? They knew how to sit down and write a three-page song that would knock you in the guts. And when you have great material, you really don’t need to bell and whistle things up.

I read something about one of your early teachers in Richmond giving you a hot minute in class to perform.

Yup, that’s true. So many times kids these days get diagnosed with ADD, and many times all they need is an outlet. I am a case study of that kid. I was so manic. I was so hyper. They weren’t going to pass me on to first grade.

At some point towards the end of my kindergarten year, my teacher said, “OK Emily, you’re going to get 15 minutes every day to entertain the class.” And that was the opening of Pandora’s box. After about three weeks of this, my teacher called my mother and said, “I just thought you should know that you have an entertainer on your hands.”

That was an early and correct diagnosis!

Yes, she was right. So always think that if I ever won anything in my whole life with regards to the theater, I would stand up and thank that kindergarten teacher.

Judy Gold Talks Standup, Being Jewish and Gay, Provincetown, and Packing Anxiety

Judy Gold is one of the most prolific and multifaceted comics working today.

Her career has spanned 35 years, from the golden days of the New York comedy circuit in the 80s to present-day guest starring roles on a multitude of the hottest TV shows.

She also just happens to be a gay Jewish mother, experiences that inform much of her standup act.

Through it all, she has remained outspoken and unafraid to take on anyone and any topic with a twinkle in her eye that let’s you know it’s just a joke. But a joke that makes you think.

OutWire757 had the opportunity to speak with Judy in advance of her appearance this at Outer Banks Pridefest and take a walk through her stellar career and her million-miles-a-minute head.

I love your podcast, “Kill Me Now.” You have had every imaginable person on that podcast. How do you determine who you want to talk to? Is there anyone left?

I have a wish list, and it’s really people I find interesting. I mean, it runs the gamut. I’ll have Amy Schumer, then I’ll have Lorraine Newman. Marilyn Maye was this week. I fucking love Marilyn Maye. It’s sometimes a challenge because the advertisers are like, Marilyn Maye, who’s that? But it makes for a better podcast. Just the showbiz stories she has! I mean, the more you’ve lived, the better stories you have.

And those interviews have become a huge archive that never existed before.

Yeah, that’s what I really love. I just find people interesting, and I want know what makes them who they are. I don’t want to talk about what you’re plugging. I had Christine Taylor (Ben Stiller’s wife) on. She was really popular in high school, and she got some commercial, then they were all mean to her. And she said to me, “No one’s going to care about this.” And I was like, yes they are! We’re all still in high school. Life is fucking high school. Showbiz is definitely high school. And now the fucking bully is the president of the class.

The best part is that are no parameters. I can do whatever the fuck I want. And I love hearing what pisses people off.

You’ve had a veritable Who’s Who of LGBTQ guests, too.

Yes, Rosie, Guy Branum, Lady Bunny, Lea Deluria. One of my favorites was Roberta Kaplan (Edith Windsor’s the attorney in the DOMA case).

It feels a lot like Sandra Bernhard’s Sirius XM talk show.

I was just on her show this morning pimping the Nags Head thing!

You got your start winning Emmys for writing on “The Rosie O’Donnell Show.” How did you and Rosie cross paths?

I knew Rosie before she was famous. She was good friends with this comic Margaret Smith who’s not in the standup business anymore but was pretty famous back in the 70s and 80s. Margaret was staying with me in New York, and she introduced me to Rosie. We all became good friends from the clubs. It’s like all these people! Ray Romano and John Stewart, Louis CK.

You talk a lot about ageism and how its impact on women in the business is much more profound than it is for men. How do you adapt your act to stay relevant and get bookings?

Oh, it’s definitely harder on women. And, look, I love the male comics. I mean, no one is telling Louis Black he’s too old, you know? I focus on the work and doing the job. I could let them get me down and give them power. Or I can just look at the people who have influenced me, like Joan Rivers who was never more relevant at 82 when she died.

There’s this misconception that standup comedy has this demographic of young white straight guys. Well, I’ve never been funnier. And I’m going to get funnier the more I live. I’m fearless. You can’t say anything to me that I haven’t heard before. I have heard it all: you’re too this or not enough that, you can’t say this, you can’t say that. Fuck you! Don’t tell me what to do.

I’ve been doing this for over 35 years. No one is going to stop me. I’m out five, six nights a week doing standup. I was at the Comedy Cellar last night, and I was like oh my God! I look around, and I’m twenty some years older than these people. But this is what I am, I’m a comic, and I love it.

Does the traveling get hard?

Traveling sucks, I never liked it. When I started travelling it was horrible because we had no cell phones, no computers. I had one suitcase that was a junk drawer. I would literally throw all my shit in there. I travelled with a two-cup coffee maker and coffee from Zabars because it was pre-Starbucks. And it was so isolating. You couldn’t use the phone in the hotel because it would chew up your whole salary.

Travelling now is way better than it was because you’re much more connected. But I still hate the packing. I’ve been doing this so long, and whenever I have to pack, it’s two days of anxiety. I’ve been stranded so many times that now I’m like, OK, bring enough antidepressants in case there’s a fucking terrorist attack or natural disaster.

But once I get there, I love it, getting in front of the audiences who love you back.

You have cobbled together this patchwork career of television and movie cameos, and my husband and I cheer when you pop up. The latest thing we saw you in was your quick turn on TBS’ “Search Party.”

I love that! You know, it’s so nice that these people just ask me to do these things. I did “Broad City,” and I just did “Friends From College.” But I want the regular thing, not the cameo. You know what I’m talking about?

Is that in your future?

You tell me!

You’ve also done a ton of writing, and you received accolades for “25 Questions for Jewish Mothers,” which earned you a GLAAD Award.

That show was the first show I wrote with my writing partner Kate Moira Ryan. I had just become a mother, and I said I can’t with these going to clubs and travelling. I want to do a one-person show, but I don’t want it to be my standup act with music behind it.

So, we actually went around the country interviewing Jewish mothers. Initially it was to find out if the stereotype was real. But it ended up being this amazing journey that morphed into a stage show and a book.

In the show, I talk a lot about coming out and being gay and a Jew and a mother, and it was so cathartic for people. Gay kids would come see the show, then bring their parents back with them and come out . I got so many letters from kids who had been shunned by their families, who said they never thought they could be Jewish and gay until they saw that show.

What was your personal experience growing up gay in a Jewish household in New Jersey in the 60s and 70s?

Well, I always knew I was gay. You don’t know what it is until you’re an adolescent. You’re like, wait, I’m different. I’m not going to get a Barbie, I want to mow the lawn. You realize what it is, and to grow up in that era…I mean you’re my age, and you know how it is thinking it’s the most horrible thing. You can’t tell anyone else, and you think it’s going to be over if you tell anyone else. The fear.

And then the AIDS crisis hits, oh my God! But that actually brought the community together, so that was one positive. I think that was the catalyst for marriage equality as well. But it just wasn’t easy keeping that secret.

I feel you, but there’s a part of me that kind of misses those hard knock days when we had to fight for our lives. Our community seems so splintered now that we’re acceptable.

I spend the summers in Provincetown, my girlfriend and I have a house there. And I sit on that same beach that I’ve been going to since the mid-Eighties. Now we have our equality, and there’s straight people there. I’m like, NOOOO! Go to Hyannis! You have the whole rest of the Cape.

There was something about being on that beach in the Eighties, and everyone single one of us was going through the same shit. But there we were, just for one week a year, living our lives, having fun. There was such a connection.

Now it sometimes feels like the community is just kicking itself in the face. Now we have gender politics going on. I’m like, hey, I fought for your rights, and if I make a joke about you, and you get offended, don’t give me that “I don’t feel safe” shit. Sorry, the world is not safe place. Plus, it’s a fucking joke!

I am very proud to be a part of this community. I have seen a lot, and I’ve been through it. And I have a lot to say about it. Because, come on, let’s stop taking ourselves so fucking seriously.

Rebels In The Closet

In the late 1980s, I began work on a genealogy of my father’s family. At that time, all I had to guide me was curiosity, a few newspaper clippings in a family scrapbook, and my father’s dim recollections of his family tree.

This was long before the advent of the internet, and most of the work involved diving deep into musty old papers, wills, land deeds and marriage records in the libraries and county offices of North Carolina.

Fine with me. I love research and discovery. I was living in Greensboro, halfway between my father’s ancestral home in the Appalachian foothills and the state archives in Raleigh, so all was in easy reach.

I did not know then that I was about to embark on what would ultimately become a 20-year search (that continues today) for my entire family’s history. What I found was a tale that is as American as America itself.

I found immigrants who fled the religious conflicts in Germany in 1763 and braved the North Atlantic Ocean for the promise of a better life.

I uncovered the forgotten challenges faced by pioneers who carved their lives out of the North Carolina wilderness.

I met patriots who rose up against the oppression of King George III. I met every day laborers and farmers trying eke a living out of an untamed land.

And I found deep connections to the Civil War and slavery.

Like most Southerners, I’ve always had a fascination with the subject. Part of that stems from my childhood in eastern North Carolina where I was surrounded by children of the Confederacy. As young child who didn’t know any better, I tended to mimic some of the racist behavior I saw and heard on the playgrounds.

In seventh grade, I rode the school bus each day, and there was a Black kid on the route who mercilessly bullied me. One afternoon, after I arrived home, my brother and I were sitting at the kitchen table having a snack. My Illinois-born, progressive hippy mother was across the room cooking dinner.  I was telling my brother about that day’s encounter with this bully, and I used that word.

Nigger.

Out of the blue, my mother’s arm grew 20 feet, came at me from across the room, and connected with the side of my head in a full-fisted right hook that knocked me out of my chair.

When the stars cleared, she was hovering over me.

“The next time I hear you say that word,” she said, “I’ll do worse.”

I learned several valuable lessons that day. First, she wasn’t having that bullshit in her house. Second, I had no doubt she would honor her promise of murder. Third, that word was ugly and hurtful.

Fast-forward 15 years to the day I met my Civil War ancestor, Andrew J. Hause, in the North Carolina State Archives. His life was well documented, and he became the focal point of my research.

He was a bricklayer born only a mile from where his great-grandfather had settled after emigrating from Germany. Two days after Fort Sumter fell, he and 12 of his brothers and cousins joined the rebellion. He was placed under Robert E. Lee’s command in the Virginia Theater and in 1862, in a battle outside Richmond 80 miles up the road from where I live today, he was shot in his left eye.

He survived the wound, spent nine months in a Richmond hospital, and was released. He returned to his home in Spartanburg, South Carolina, blinded in one eye, the bullet still in his head. He died in 1906 at 83 years old, the last Confederate veteran in his county.

His tombstone is inscribed with this:

“No monument of fame rear o’er the lonely bed
But carve beneath his name on a stone above his head
A man who wore the gray here slumbers with the dead.”

As I dug deeper into the records, I realized that he and his people were not landed gentry. They were millers and small farmers and house painters. None owned slaves.

At the time, I used the well-worn justification that they couldn’t have possibly rebelled against the Union because they supported slavery. I assumed that, like their grandparents who had rebelled against an unjust King, their motivation was rooted in protection of their homeland against foreign invaders. 

In subsequent years, as I strode into the wider world, I began to more fully comprehend the terrible impact of slavery on our collective psyche. I began to cultivate friends who were working to heal the racial divide, and I engaged in conversations with Black scholars and friends who explained the depth and breadth of the injuries that remained.

It was our original sin as one author labeled it–a moniker that resonates with me today. Slowly, I began to question the pride I felt in my Confederate heritage.

And then came the Internet.

One evening about 20 years ago, I sat down at my computer and Googled  “Andrew J. Hause.” Several results returned, and one caught my eye: “AJ Hause, LD Wright, and WD Hardy to Abraham Lincoln: South Carolinians Offer to buy Hamlin.”

It was a letter archived in the Abraham Lincoln Presidential Papers in the Library of Congress. I pulled up the letter’s image, and in a handwritten scrawl that may have been my ancestor’s, I read the words.

At first, they made no sense:

“Spartanburg, S. C.
Nov 27 1860

Dear Sir

We understand you have a very likely & intelligent mulatto boy you would dispose of on reasonable terms being engaged in negro trading if you will let us know what you will take for the boy Hannibal known as Hannibal Hamlin and your price is reasonable we will purchase him and are prepared to meet you with the cash at Richmond Va on the 18 Decr inst. Your early attention to the above will oblige

Yours Respectfully
J D Wright
W D Hardy
A.J. Hause”

I had so many questions. Who was Hannibal Hamlin? Why were Andrew and his friends offering to buy him?

After further Googling, I discovered that Hannibal Hamlin was a Senator from Maine and Lincoln’s running mate in the 1860 election. Southerners were terrified that Lincoln and Hamlin would win the White House and abolish slavery.

To exacerbate that fear, Southern newspapers perpetuated a rumor that Hamlin, who had dark hair, a wide nose, and vaguely dark features was of mixed race and thus an agent in Lincoln’s abolition agenda. Most Southerners took it as gospel, and apparently my ancestor did as well.

Along with that discovery came some disturbing, long-forgotten memories of my father’s family. They floated up from my childhood like lava from a long slumbering crater.

I remembered my grandmother’s housekeeper Rosa. She was 300 pounds of pure African love, had a huge grin and raucous laugh that I loved, and spoiled me rotten on my summer visits to my Mema’s house in Shelby, NC

I loved her to death.

We sat in her tiny back room, watched soap operas, and poured peanuts into our Coca Colas while she ironed every napkin, every sheet, and every stich of cloth in that huge house.

My grandmother, while never overtly ugly towards her, was stern and treated her with only minimal respect. Rosa was not welcomed in the main house unless she had been tasked with flipping mattresses or invited to fix a plate to take back to her room.

I then remembered an incident that happened once while my grandmother was visiting us in Greenville. Our next-door neighbors, the Norcotts, were a Black family with a son about my age, Joe. We were carefree kids, and my brothers and I played together with him most days after school.

My Mema was visiting when he came over one afternoon to watch TV. After he left, my grandmother sat me and my brothers down and admonished us. “Boys, it’s fine to play with them,” she said, “but it’s not right to invite then into your house.”

I then recalled another incident involving William, my best friend in junior high school. He lived across the river with his adoptive aunt. He would often come home with me after school, and we’d hang out, listen to records, and gossip about the day’s events.

He and I talked on the phone every night after dinner, and we’d turn each other on to the music of the mid-70s by playing each other the latest 45s we had bought. We walked the halls of the school dishing on everyone and laughing our asses off at those who didn’t get it. We were writers and to each other’s delight, swapped putrid little stories we had banged out on our manual typewriters.

As an aside, twenty years later, I caught up with him briefly, and we told each other what we already knew: that we were both gay. Then we drifted apart again.

I miss him now because I realize now that he was my first real “sister.” I loved him, and I hope he’s reading this because he was at the center of a shift in my understanding of racism, my family, and my history.

The pivot point was one stellar Saturday afternoon in the summer of 1976. William and I hadn’t seen each other since school recessed, so at my invitation, he rode the City bus to my house.

We went up to Pitt Plaza where we bought a hot dog and fries at Eckerd Drugs’ lunch counter, then went next door to the Record Bar where the clerk put on some of the latest albums we wanted to sample.

When we got back to my house, we were hot and sweaty.

He asked, “Can I take a shower before I go home?”

I directed him to my dad’s bathroom so he could have some privacy. Afterwards, while my mother drove him home, my father approached me.

“Did you take a shower in my bathroom?” he asked. He was very proprietary about his space.

“No,” I answered, “My friend William was over here, and he did.”

“William?” he asked. “That Black kid?”

I nodded yes.

He was very quiet for a minute. Then, without another word, he went into his bathroom and scrubbed the shower from top to bottom.

As I sat in from of my computer 20 years ago with Andrew’s letter in front of me, these memories jostling for space, the epiphany that racism had woven its insidious tendrils through the succeeding generations of my family, right up to my father, and cast a cold shadow of bloody original sin right at my feet.

My ancestor’s role in history was then clear to me. He was a racist, pure and simple.

There was no way around that now, and all the romanticism and justification in the world could not excuse it.

The Day He Jumped Off The Tar River Bridge

My high school friend Henry Wooten has been on my mind today.

Our parents were friends–everyone knows everyone in our small eastern NC town–but we didn’t meet until 10th grade when we both came to the same high school and joined the stage band.

He was the first piano player, and I was the second. He was much better than I was, and at first I felt a bit intimidated by him.

Then one October day, after a poem I had written appeared in the school’s literary magazine, he approached me.

I didn’t think the poem was anything earth shattering. It was an analogy between money and consumerism, and an evil bird made of gold that swooped down to consume the people who were blinded by their greed.

In other words, an adolescent attempt at a well-worn literary device.

But Henry complimented me. He said it struck him deeply, and from that moment on, we were equals.

As we began spending more time together, we bonded through our commonalities: love of music, poetry, spirituality, and pot. Combine all of those things, and you get some meaningful conversations.

Of course, it was the 70s, so I don’t remember all of them, but the connection was still there.

Two summers later, we worked as co-counselors at a summer camp, which was where we really bonded. It all came together one of the last nights of that summer, when the entire camp had gathered in the lodge for movie night.

Unfortunately, the projector wasn’t having it. To kill time, Henry picked up his guitar and began strumming “Stairway To Heaven.” Without a word or invitation, I sat down at the rickety old upright piano began playing along.

And it was effortless.

We knew each other’s timing and temperament so well that by the end we were singing in perfect harmony. And when we both hit the Robert Plant wailing high notes at the rousing end, the house erupted with applause.

We were a hit. We were Unplugged years before MTV came along.

As tight as we became that summer, though, I always felt a distance between us. He was secretive, and he didn’t let too anyone get too close. That was OK, because, guess what: I was the same. We shared the same secret.

In retrospect, I intuitively knew he was gay. But we never dared talked about it. Hell, I couldn’t even admit it to myself back then. Those were scary times in the late 70s in red Baptist eastern North Carolina. They still are.

A couple years after that summer, I went off to college, and Henry and I fell out of touch. I’d see him at parties when I came home. We’d chat, but something was different. He was burdened and melancholy, and I knew what was bothering him.

I never delved any deeper, though, and I’d go back to school, throw myself into my studies and the girlfriend I had at the time, all the time skating the thin ice of denial.

The ice in Henry’s case wasn’t able to withstand the burden. I heard that Henry began to fall apart. He dropped out of college, played keys in a local band at night, and spent most of his day in a drug-induced haze.

In February, 1985, my mother called me to tell me that Henry had committed suicide.

He tied a cinder block to his ankle and jumped off a bridge into the Tar River not too far from where we used to hang out at the end of a dirt road, get high, and crank Zeppelin on the 8-track.

He had been arrested for taking indecent liberties with a minor just the week prior.

His death threw me under a bus that had been careening in my direction for a long time. I knew why he did it. His arrest was only the denouement.

Of course, all the what-ifs plagued me for months. I felt guilty as I replayed our friendship and ran it through all the alternative, happier endings.

But I in the end, I knew I couldn’t have saved him. The only person I could save was myself.

From that moment on, the crack in my closet door began to widen ever more furiously.

Now, 35 years later, that damn door is history. Still, some days, like today, I think about Henry and silently thank him for his gentle unconditional friendship. He was the first true, gay friend I ever had.

I wish he was here so I could tell him that. I wish we had been able to tell each other our secrets. I wish he had held on long enough to see what a progressive world this has become. With all its hatred and bigotry, we’re still light years ahead of the darkness of high school in Greenville in the Seventies.

But I understand why he had to go. Because for a short while there, it was me who was standing on the edge of that same bridge on a late winter night, looking down at the black water, wanting so badly to be loved.

The difference is that, ultimately, I never lost hope that I would.

An Early Attempt at Escape

The tanned woman was looking down at me, her feathered hair cascading around
a perfectly formed face punctuated by two beautiful blue eyes.

“Are you lost?” she asked.

I remember wondering why she would ask such a question. I didn’t think I was.
The Florida morning was warm but not steamy. Puffy cumulus clouds rode on a
fresh breeze that rattled the palms. It was a gorgeous day, and I had decided to go
for ride.

“No,” I replied, “I live right around the corner.”

“OK,” she shrugged, rolled up the car widow, and drove away.

I grabbed the handlebars, hit the pedals, and took off in the other direction.
I didn’t know that back on Minnesota Drive, my mother was freaking out. See, it
was 1966, I was four years old, and I had disappeared from our house about an
hour before. On my tricycle.

I also didn’t know that she had called the police, and at that very moment she was in
the back of a black and white, riding the streets of our neighborhood in search of
her missing son.

I didn’t care about any of those things. All I knew was that I was having a ball,
riding around in circles in the middle of the Volusia County Hospital emergency
entrance three miles from my parent’s house.

I had somewhat mastered the art of two-wheel tricycle doughnuts, which
involved accelerating to a breathtaking speed, pulling a hard left, then laughing
delightedly as I rose up on two wheels and careened in a circle.

The emergency room entrance seemed in many ways the perfect spot to practice
my stunt.

I don’t know how much time passed before I saw the police car approaching me.
My mother was hanging out the back window, screaming my name. She jumped
out before the car had barely stopped and ran to me.

“Eric, Jesus, you scared me to death Are you OK? Stand up and let me look at
you.”

As she examined me from head to toe looking for wounds and some sign of
regret, I looked up into the eyes of a tall dark man in a blue uniform. He had a
black bushy moustache. On his muscular left arm, he had a tattoo of an anchor.
He squatted down next to me. “Son are you ok,” he asked in a deep calm voice.

“I’m OK!” I said. My mother was almost whimpering with relief.

“Well, then, let’s get you home,” he said. I watched with awe as he stood and
picked up my tricycle with one hand.

My mother gripped my arm tightly, and we followed him to the cruiser. He
opened the back door with his free hand, and I scooted in next to my mother.

“Eric, I thought you kidnapped or worse. Don’t you EVER run off like that again.”

I wasn’t listening. Instead, I was peering over the seat at our officer who was
lifting my tricycle into the trunk. I couldn’t take my eyes of him as he slid into the
front seat.

He turned around, put his hand on my shoulder and said, “You scared your
mother buddy. Next time, be sure to check with her before you take off, ok?”

I nodded sheepishly. He tousled my hair, then started the car.

As he drove us home, I drilled holes in the back of his head with my eyes. Now I
knew. He had saved me from certain death.

He was my hero, and I wanted him to be my daddy.

My Mother Saved My Life

My mother saved my life. And she had to almost die herself before she was able to save mine.

In 1987, she finally stopped drinking after nearly succumbing to 35 years of alcoholism. And it was shortly afterwards that she asked me during a quick weekend visit home if I was gay.

I was in the closet up to that point. I moved away from my small eastern NC hometown three years before and was in the middle of my first real love affair in the big city of Greensboro.

When I arrived at my parent’s home that Friday afternoon, I called my boyfriend to let him know I had made it. My mother was in the adjacent bathroom, putting on makeup before going to her evening Alcoholics Anonymous meeting and listening in on our conversation.

When I hung up and walked past the bathroom, she stopped me.

“I want to ask you a question,” she said, not looking away from the mirror as she continued her makeup application. “And if you don’t want to answer, you don’t have to.”

“OK,” I responded.

“Exactly what is the nature of your relationship with Danny?” she asked.

In that moment, my thoughts went down three drastically different paths:

  1. I can continue my miserable existence as a liar.
  2. I can say “None of your business” and walk away.
  3. I can tell the truth because if she’s asking, she already knows.

I picked door #3.

“I see,” she said, still not looking away from the mirror. “Well, let me finish putting on my makeup, and we’ll talk before I go to my meeting.”

By the time she finally blew into the living room where I had been sitting for 15 minutes chewing my fingernails, I was a wreck.

She sat down with a big sigh and said, “First of all, I’ve known you are gay for some time. Don’t ask me how because I don’t want to embarrass you.”

I silently went through all the Sears catalog male underwear pictures I had stashed under my bed and my unhealthy obsession with all things Stevie Nicks, but I gave away nothing. It didn’t matter. Mothers always just know.

“More importantly, I’m glad this is out because I know what it means to keep a horrible secret and how it can kill you, and I don’t want that for you.”

Immediately the gigantic oppressive steel block that had been resident on my heart for years was lifted. I knew she knew, and she was cool with it.

For the next 20 minutes, she talked to me about being in college at the University of Michigan and hanging out with the gay guys: playing piano at their parties, having them serve her drinks and light her cigarettes. “ I was, as you might say, a fag hag.”

I loved her so much in that moment.

She then went on to tell me that my future father, a Southern Baptist from the mountains of North Carolina whom she was dating in college, tried to forbid her to hang out with the queens.

“And I put a stop to that right there,” she said. “If he couldn’t accept my friends, I couldn’t accept him.”

How in the world those two diametric opposites ever made it work is beyond me, but they were in love for 50 years. More on that later.

“Speaking of your father, are you going to tell him?” she asked.

I was still flabbergasted by this little ambush, and I had not moved that far ahead in my thinking. “Um, probably not this trip,” I said. “But I will.”

I quickly added, “And don’t you tell him, either.” My mother was huge drama queen, and she excelled in the role of gossip bearer.

She nodded in silent agreement. But it wasn’t an enthusiastic nod, and I already knew she wouldn’t be able to stand it for very long.

She wrapped up our little chat by saying, “My only hope is that you’re careful with your health.”

I smiled. “I’m aware, mom, and I’m ok.”

With that, she gave me a kiss and a hug then walked out the door to go save some more lives at her AA meeting. She went to those meetings religiously three times a day for the next 35 years until she physically couldn’t any longer.

Two nights later, I had just arrived back in Greensboro, and she called.

“Well, I had to tell your father,” she bleakly intoned as if she’d been tortured. I wasn’t buying it.

“Really? You HAD to tell him?”

She went on to explain how, at the dinner table earlier that evening, my father inquired if I had made it home safely. According to her, one thing led to another, and, well, it just came out.

After a quick flash of anger (because she was ALWAYS doing this shit), I felt a second huge stone lift, and it was OK. I knew she planned it that way all along. Truth was, it wasn’t fair to ask her to keep that secret.

“What was his reaction?” I asked.

“Well, the first thing he said was, ‘He doesn’t have to be that way’,” she replied. “And I said, Robert, you just don’t get it, do you?”

I got it. He was a product of the stereotypical rural Southern Baptist upbringing, complete with Jesus and Confederate flags and suffering. But I knew that he was doing his best to be a different progressive person, and my Chicago liberal mother was his guide on that journey.

My father and I never overtly talked about my homosexuality. But from that moment on, our relationship changed for the better. He began hugging me when I arrived home and when I left. That was a first.

Over subsequent years, he met many of my gay friends, accepted us all in his house and invited us to sail on his boat. He met most of my love interests, too, and treated them all with gentility and respect.

And, thank God, just as he was beginning to slide downhill into the abyss of Parkinson’s, he met Andrew, my future husband, and embraced him completely.

Don’t get me wrong. It was never easy with my mother or my father or my brothers—we are all passionate, volatile artists prone to drug and alcohol abuse, violent outbursts, and loud, outrageous behavior. In fact, we’re ALL drama queens.

But in the end, when both of my parents were ill and in dire need of rescue, I took care of them.

Shortly after my father died, my mother was next. When she succumbed to dementia, I brought her to Norfolk and placed her in a nursing home not far from my home. At that point, she was incoherent, and there wasn’t much left.

Two months before she died, I rode with her in an ambulance to the doctor’s office. We were in the waiting room, and she was strapped into a stretcher, agitated and out of her mind. I pulled up some old family photos on my phone, hoping it would calm her down.

I scrolled through them with one hand while holding hers with my other and talking to her quietly.

“Here’s dad, remember this picture? And there’s Jon and Evan, and your granddaughters…”

She began to relax until finally we were laughing. In that moment, she looked me in the eye and said clearly, “I don’t know what I would do without you.”

I couldn’t respond because the tears were so close. But I wanted to say the same thing to her. I probably would be dead if not for her unconditional love on that summer day in 1987.

Those were the last coherent words she said to me, and shortly afterwards, I held her hand again as she slipped away.

The Lost Colony of Roanoke Island

By Eric Hause

The Lost Colony

The image is one of the most haunting in American folklore: Eleanor Dare cradling her infant daughter as they struggle through a vast wilderness, seemingly forgotten by her father who brought them to an unfamiliar land, then left them to fend for themselves.

In the four centuries since their disappearance, Eleanor and Virginia Dare have become true American heroines, players in an epic unsolved mystery that still challenges historians and archaeologists as one of America’s oldest. In 1587, over 100 men, women and children journeyed from Britain to Roanoke Island on North Carolina’s coast and established the first English settlement in America. Within three years, they had vanished with scarcely a trace. England’s initial attempt at colonization of the New World was a disaster, and one of America’s most enduing legends was born.

The lay of the land of modern Roanoke Island appears much as it did at the time of the colonists’ arrival. The low, narrow island lies between the treacherous Outer Banks and the mainland. Although it is influenced by the Atlantic Ocean, it is a verdant oasis compared to the harsh winds and pounding surf of the barrier islands. Instead, Roanoke is characterized by thick marshlands and stands of live oaks teeming with wildlife–a much more hospitable site for settlement.

In 1584, explorers Philip Amadas and Arthur Barlowe were the first to set eyes on the island. They had been sent to the area by Sir Walter Raleigh with the mission of scouting the broad sounds and estuaries in search of an ideal location for settlement. Amadas and Barlowe wrote glowing reports of Roanoke Island, and when they returned to England a year later with two Natives, Manteo and Wanchese, all of Britain was abuzz with talk of the New World’s wonders.

Sir Walter Raleigh

Sir Walter Raleigh

Queen Elizabeth herself was impressed, and she granted Raleigh a patent to all the lands he could occupy. He named the new land “Virginia”, in honor of the Virgin Queen, and the next year, Raleigh sent a party of 100 soldiers, craftsmen and scholars to Roanoke Island.

Under the direction of Ralph Lane, the garrison was doomed from the beginning. They arrived too late in the season for planting, and supplies were dwindling rapidly. To make matters worse, Lane, a military captain, alienated the neighboring Roanoke Indians, and ultimately sealed his own fate by murdering their chief, Wingina over a stolen cup.

By 1586, when Sir Francis Drake stopped at Roanoke after a plundering expedition, Lane and his men had had enough. They abandoned the settlement and left behind a fort, the remains of which can still be seen at Fort Raleigh National Historic Site today. Ironically, a supply ship from England arrived at Roanoke less than a week later. Finding the island deserted, the leader left behind 15 of his men to hold the fort and returned to England for reinforcements.

Raleigh was angry with Lane but not deterred from his mission. He recruited 117 men, women and children for a more permanent settlement, and appointed John White governor of the new “Cittie of Raleigh”. Among the colonists were White’s pregnant daughter, Eleanor Dare, his son-in-law Annanias Dare, and the Indian chief Manteo, who had become an ally during his stay in Britain.

Raleigh had since decided that the Chesapeake Bay area was a better site for settlement, and he hired Simon Fernandes, a Portuguese pilot familiar with the area, to transport the colonists there. Fernandes, however, was by trade a privateer in the escalating war between Spain and England. By the time the caravan arrived at Roanoke Island in July, 1587, to check on the 15 men left behind a year earlier, he had grown impatient with the White and anxious to resume the hunt for Spanish shipping. He ordered the colonists ashore on Roanoke Island.

The colonists soon learned that Indians had murdered the 15 men and were uneasy at the prospect of remaining on Roanoke Island. But Fernandes left them no choice. They unloaded their belonging and supplies and repaired Lane’s fort. On August 18, 1587, Eleanor Dare gave birth to a daughter she named Virginia, thus earning the distinction of being the first English child born on American soil. Ten days later, Ferndades departed for England, taking along an anxious John White, who hesitantly decided to return to England for supplies. It was the last time he would never see his family.

imageUpon his arrival in Britain, White found himself trapped by the impending invasion of the Spanish Armada. Finally, two years after the stunning defeat of the Armada, he again departed for Roanoke Island. He arrived on August 18, 1590–his grand daughter’s third birthday–and found the “Cittie of Raleigh” deserted, plundered, and surrounded “with a high pallisado of great trees, with cortynes and flankers, very fort-like”. On one of the palisades, he found the single word “CROATOAN” carved into the surface, and the letters “CRO” carved into a nearby tree.

White knew the carvings were “to signifie the place, where I should find the planters seated, according to a secret token agreed upon betweene them and me at my last departure from them…for at my coming away, they were prepared to remove 50 miles into the maine”. He had also instructed the colonists that, should they be forced to leave the island under duress, they should carve a Maltese cross above their destination. White found no such sign, and he had every hope that he would locate the colony and his family at Croatoan, the home of Chief Manteo’s people south of Roanoke on present-day Hatteras Island.

Before he could make further exploration, however, a great hurricane arose, damaging his ships and forcing him back to England. Despite repeated attempts, he was never again able to raise the funding and resources to make the trip to America again. Raleigh had given up hope of settlement, and White died many years later on one of Raleigh’s estates, ignorant to the fate of his family and the colony.

The 117 pioneers of Roanoke Island had vanished into the great wilderness.

imageIn the following years, evidence as to their fate was slow to emerge, but some intriguing accounts exist. In 1709, English explorer John Lawson visited Roanoke Island and spent some time among the Hatteras Indians, descendants of the Croatoan tribe. In A New Voyage to Carolina, he wrote “that several of their ancestors were white people and could talk in a book as we do, the truth of which is confirmed by gray eyes being found infrequently among these Indians and no others.”

In the 1880s, with the approach of the Roanoke Colony’s 300th anniversary, a North Carolina man named Hamilton MacMillan proposed a theory that holds some credence today. MacMillan lived in Robeson County in southeastern North Carolina near a settlement of Pembroke Indians, many of whom claimed that their ancestors came from “Roanoke in Virginia”.

According to MacMillan, the Pembrokes spoke pure Anglo-Saxon English and bore the last names of many of the lost colonists. Furthermore, “Roanoke in Virginia” was how Raleigh and his contemporaries referred to Roanoke Island. The Pembrokes also had European features: fair eyes, light hair, and an Anglo bone structure. MacMillan’s findings, published in 1888 pamphlet, gained a great deal of attention from the academic community and renewed interest in the lost colony.

imageOther less plausible theories and some outright trickery surfaced in the mid-1900s. A series of mysterious rocks first uncovered in 1937 in eastern North Carolina seemed to solve the mystery. The original stone, dubbed the Eleanor Dare Stone, was found in a swamp 60 miles west of Roanoke Island by a traveler. It was covered with strange carvings, which, when deciphered, appeared to be a message from Eleanor Dare to her father, indicating that the colony had fled Roanoke Island after Indian attack.

Over the next three years, nearly 40 similar stones were unearthed from North Carolina to Georgia, and when pieced together, related a fantastic tale of the colonists’ overland journey through the southeast, culminating in the death of Eleanor Dare in 1599. Although the academic world was skeptical, the media had a field day and were forced to eat their words in 1940 when an investigative reporter exposed the entire saga as an elaborate hoax.

In the past 40 years, scholars have discovered previously unknown records in the Spanish and British archives that may point the way toward a logical, if not provable, solution. Many historians now believe that after White’s departure from Roanoke in 1587, the colony split into two factions, and the largest segment of the colony departed for the Chesapeake Bay, their original destination. Lane had explored the Bay area in 1585, and the colonists probably had maps made by White himself.

When John Smith and the Jamestown colonists arrived in 1607, Smith took up the search for the colonists and discovered that they probably had been in the area. In his dealings with the hostile Indian chief Powhatan, he learned that the colonists had lived among the friendly Chesapeake Indians on the south side of the Bay. Threatened by the intrusion of white men into the region, Powhatan claimed to have attacked the colonists and murdered most of them. As proof of his claim, he showed Smith “a musket barrell and a brass mortar, and certain pieces of iron that had been theirs.”

By 1612, the Jamestown leaders had received numerous reports that at least some of the Roanoke colonists were living nearby. They sent out several search parties, but had no success, and soon gave up the search.

What became of the remainder of the colonists left on Roanoke Island? Scholars speculate that they were left behind to meet White upon his return from England, but soon fled to Croatoan, leaving the mysterious carvings behind as a signal to White. Spanish archives reveal that they were gone by June, 1588, when a raiding party put in at Roanoke Island only to find the settlement deserted. Scholars assume that they were then assimilated into the Croatoan tribe.

Today, the north end of Roanoke Island is regularly visited by historians and archaeologists hoping to uncover new evidence as to the fate of the colony. So far, none has been forthcoming. The post and the tree bearing the carvings have long since vanished, although many of the live oaks in the National Historic Site were seedlings during the colonists tenure. No archaeological clues as to the whereabouts of the Cittie of Raleigh have ever been uncovered, and the 500-acre park remains mostly an enigma, apropos to the events that unfolded here 400 years ago.

This article originally appeared in Reader’s Digest Books’ Explore America, Places of Folklore and Legend, 1997.

Photo of the Day

The lunar eclipse as photographed from my mother-in-law’s front yard in Lincoln, Nebraska, September 27, 2015. There’s so much more I can say about this photograph. Like how my mother-in-law, Joan, died two days before I took this photo, and how her children and husband and nieces and nephews and grandchildren were all standing in the front yard of her house with me when I took this.

Or how my own mother had died back in Norfolk less than a month earlier in hospice under almost exactly the same circumstances as Joan, and how she had died on the night of the previous month’s full moon. And how the day after I took this photo was my mother’s birthday.

But for now, let’s just let this photo stand as evidence that the universe has a plan greater than we know, and it’s all going to be ok.

Because that’s the only thing that will get us through life on this horrible, wicked planet.